TR Guest https://validator.w3.org/feed/docs/rss2.html What I learned from… ‘The Neighbours’ by Emma Babbington What I learned from… ‘The Absolutes’ by Kate Potter What I learned from… ‘Mother of Serpents’ by John R Gordon How I plumbed the depths of my brain for Twisted 50 About me London Writers’ Meetup: why are we slaves to perfectionism? What I learned from… ‘Sunburn’ by Laura Lippman What I learned from… ‘Notice’ by Heather Lewis Friends and more What I learned from… ‘The Judas Pair’ by Jonathan Gash What I learned from… ‘After The Storm’ by GD Wright What I learned from… ‘The Road to Reckoning’ by Robert Lautner What I learned from… ‘The Good Girl’ by Michelle Dunne What I learned from… ‘Birnam Wood’ by Eleanor Catton What I learned from… ‘Shuggie Bain’ by Douglas Stewart What I learned from… ‘Nightbitch’ by Rachel Yoder What I learned from… ‘How it all began’ by Penelope Lively What I learned from ‘My Year of Rest and Relaxation’ by Ottessa Moshfegh What I learned from… ‘The Tutor’ by Courtney Psak What I learned from… ‘A Bouquet of Barbed Wire’ by Andrea Newman What I learned from…’The Birthday Party’ by Laurent Mauvignier What I learned from… ‘The Stand’ by Stephen King What I learned from… ‘Yellowface’ by Rebecca F. Kuang What I learned from… ‘Prophet Song’ by Paul Lynch What I learned from… ‘Rumours’ by Freya North Don’t be shy now – why talking about your ideas saves time later on Writing through grief (or trying to, incredibly badly) Credits The irresistible pull of Widows The emotional gut-punch of I am not Raymond Wallace London Writers’ Meetup: Is ChatGPT a friend or foe? Current work My work Journalism and copywriting Bend and snap out of it – why I can’t stop watching (and reading) Legally Blonde How I got punched in the gut by Doctor Who (not literally) Delaying Kilgrave: The trouble with Jessica Jones’ antagonist Helen Duncan – the greatest true story never brought to screen? Been ghosted? Here’s how to deal with it Can you change from a planner to a pantser? Kill your darlings live – changing dialogue in rehearsal Pegasus Opera Company: Unpacked and Reloaded Taking control of your writing with Submissions Secrets The screenplay format – when pointless obsession takes hold How ZeroZeroZero turned the drug cartel thriller on its head Hark by John R Gordon – a new twist on folk horror The space between: Transitions in The Silence of The Lambs script The terror of the first 10 pages What I learned from… ‘Small Bomb at Dimperley’ by Lissa Evans Why is it so hard to say goodbye?